The public sphere is an ideological construct that must be constantly reinvented and redefined. The impact of neoliberal forces is compelling even art and its institutions to reinvent, reformulate or re-legitimize their public dimension and involvement. For both art and art institutions, after all, still manifest themselves at the sufferance of the public, the audience. They cannot avoid re-examining what is public and why, who the audience is and where it is situated, and how they wish to relate to it. Do they dare become part of ‘the political’, or do they let themselves become instruments of market players and party politics?

Design: Thomas Buxó, Illustrated (colour and b/w),