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又是从中世纪说到现象学。主要反对黑格尔对adventure所定的“偶然性、外在性”概念，而把它视作主角遭遇和诗人叙述的诗性真实，强调与语言的内在关系，并与海德格尔的Ereignis靠拢。最后一节略绕：hope是无法满足的，但这是因为在某种程度上，它已经被满足了......

demon, tyche, Eros, Akanke and Elipis

For Agamben, the adventure, that of contingency, devalued by Hegel, opens to ‘a specific experience of being’ wherein the fourfold - Daimon, Eros, Ananke and Elpis defining ethics. Though set down to Goethe’s aesthetics, he sculpted his own connotation by poetic truth vis-à-vis the post-dialectic.

看到后面发现是存在论

For Agamben, the adventure, that of contingency, devalued by Hegel, opens to ‘a specific experience of being’ wherein the fourfold - Daimon, Eros, Ananke and Elpis defining ethics. Though set down to Goethe’s aesthetics, he sculpted his own connotation by poetic truth vis-à-vis the post-dialectic.