Contents
List of Illustrations
Foreword
Preface
Acknowledgements
Introduction
Chapter 1: The Ruined Bodies of Chinese Cinema / Brian Bergen-Aurand
Chapter 2: Transnational Cinema as a Matter of Address: Considering Eros and Embodiment in Wong Kar-wai’s “The Hand” / Jiaying Sim
Chapter 3: Female Chinese Stars on Screen: Desiring the Bodies of Ruan Lingyu and Linda Lin Dai / Mary Mazzilli
Chapter 4: Trans-mothering on Singapore’s Siniticate Screens / Jun Zubillaga-Pow
Chapter 5: Coming Out Queer? Rethinking Corporeality, Desire, and Auteur Theory with Regard to the films of Tsai Ming-liang / Hee Wai Siam
Chapter 6: Thinking the Inutility—Temporality, Affect, and Embodiment in Useless and Walker / Hongfei Liao
Chapter 7: “Disposable” Bodies on Screen in Xu Xin’s Karamay: Biopolitics, Affect, and Ritual in Chinese Central Asia / Darren Byler
Chapter 8: The Art of Eating in Malaysian Cinema: The Malaysian Sinophone Hunger for a National Identity / Lee Yuen Beng
Chapter 9: Random Acts of Sensible Violence: Horror, Hong Kong Censorship, and the Brief Ascent of “Category III” / Andrew Grossman
Chapter 10: Drifting Eyeballs: Transasian Feminine Porn Tastes and Experiences / Katrien Jacobs
Bibliography
Filmography
Contributors
Index
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