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图书标签: 桐野夏生  日本文学  悬疑  urban  legend  crime  Natsuo  Kirino   

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chilling depiction of saddening morbidity, at the time when individuals are treated as nothing more than objects, when no exit or choice is left

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chilling depiction of saddening morbidity, at the time when individuals are treated as nothing more than objects, when no exit or choice is left

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chilling depiction of saddening morbidity, at the time when individuals are treated as nothing more than objects, when no exit or choice is left

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chilling depiction of saddening morbidity, at the time when individuals are treated as nothing more than objects, when no exit or choice is left

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chilling depiction of saddening morbidity, at the time when individuals are treated as nothing more than objects, when no exit or choice is left

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重口味的漫画看的不多（大逃杀漫画版《生存游戏》应该算吧，台版都没出完宣布紧急回收，最后几本在网上找原文扫描版硬是一页页啃光），倒是被黑暗女王的文字吓了一跳：说实话分尸教程什么的都算还好，OUT之后的主妇们的前路，看的是一愣一愣的。果然我是相信文字力量的人啊...  

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...將極端控制欲壓抑以到無以復加的故事，真是絕望比死更冷，桐野夏生從事寫作之前，一定是個滿懷怒氣的負能量滿槽大嬸，無論是隱忍，爆發，狂暴，性，虐待，死....她的筆鋒比大籔春彥，西村壽行之類更加彪悍凜冽，也更加黑暗狂亂，只不過這一切又包裹在女人特有的溫婉中...  

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我看的第一本桐野夏生的书是杀心，那时候图书馆刚进了几套崭新的她的书，在日本架上格外耀眼，里面有异常，有杀心，有女神记。 我很喜欢杀心和异常，对于女神记始终感到有点儿恶心。 图书馆里没有越界，大概因为内容比较敏感。现在我才看了这本书，感觉和以上任何一本都不一样...  

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