A wide-ranging collection of essays on the film-philosophy of Gilles DeleuzeDeleuze and Film explores how different films from around the world 'think' about a range of topics like history, national identity, geopolitics, ethics, gender, genre, affect, religion, surveillance culture, digital aesthetics and the body. Mapping the global diversity of this cinematic thinking, this book greatly expands upon the range of films discussed in Deleuze's Cinema books.Key Features Analyses several Asian films: including Japan's most famous

David Martin-Jones is a Senior Lecturer in Film Studies at The University of St Andrews in Scotland